Specters on Stage—Guide to Haunted Southern Theatres

Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more.

—Williams Shakespeare, Macbeth, Act V, Scene 5

The world of the theatre is filled with mysticism, superstition, and spirits. As a theatre person, nearly every theatre I have worked in has this mysterious side, especially in the connection to the spirit world. In his Ghost Hunter’s Guide to New Orleans, author Jeff Dwyer contends that one can be almost certain that a theatre will be haunted.

There are few certainties in ghost hunting. But when it comes to haunted places, ships and theaters offer ghost hunters the greatest opportunities for encounters with the spirit world. Theaters often harbor the ghosts of actors, writers, musicians and directors because something about their creative natures ties them to the place where they experienced their greatest successes or failures. Stagehands and other production staff may haunt backstage areas where they worked and, perhaps suffered a fatal accident. They may also be tied to room where props are stored. The ghosts of patrons remain long after death because they love the theater or, more likely, they loved an actor who performed regularly at that location.

Much of the mysticism in theatre revolves around actors, especially in how they take on a character. Even the language of an actor bears parallels with the language of ghosts and spirits. Some actors will describe an experience akin to possession when they are inhabiting another’s body and lose themselves. Certainly, within the ritual of preparing for a show, there may be a ritual in applying makeup, getting into costume, and warming up. I’ve watched as some actors will walk the set, absorbing the energy of the world of the play, all of which resembles summoning. If the play utilizes masks, actors may put on the mask in a nearly religious manner. Onstage, the actors are in tune with the energy that surrounds them, including that from other actors, the set, the audience, the crew, and the audience. Once the actor has finished his hour of strutting and fretting upon the stage, these spirits are banished to the world of fiction. But, are they really? Perhaps some of these spirits linger in the theatre?

As for the directors, writers, musicians, technical crew members, and the backstage functionaries, many imbue their work with their own passion, thus leaving a little bit of themselves behind in their work. Even once these people pass on, they may return to the theatres to feed their passion in the afterlife.

The practice of leaving a ghost light onstage when the theatre is dark is wrapped up in superstition and practicality. Some will argue that the light assures the theatre’s spirits that the theatre is not abandoned and provides light for their own performances. In a way, this could be a sacrifice to the genius loci, or the spirit of a location. As for practicality, non-superstitious thespians will contend that a ghost light provides illumination to prevent injuries if someone enters the darkened space.

Theatres are often inherently dangerous places where actors, crew, and even some patrons can, and do, get injured. Indeed, there have been numerous accidents throughout history where deaths have occurred on or just off stage sometimes leaving spirits in limbo within the space. The haunting of the Wells Theatre in Norfolk, Virginia comes to mind. One of the spirits in this 1913 theatre may be that of a careless stagehand who became entangled in the hemp rope-operated fly system (a system that is still in use) and accidentally hung himself. Other deaths may be blamed on medical conditions that have claimed have claimed lives while people are at work.

As for lingering spirits of theatre patrons, a love for theatre or a particular space may be reason enough to return in the afterlife. Though it seems that most of the hauntings by members of the audience are residual in nature with phantom laughter and applause sometimes being heard.

Contributing to theatres’ haunted natures, some theatres occupy spaces that were not intended to be performance spaces. These repurposed buildings may already be haunted, and the spirits adapt to the new use of the location. Among the numerous examples of these types of theatres are the Baltimore Theatre Project in Maryland in an old building originally constructed for a men’s fraternal organization and the Hippodrome State Theatre in Gainesville, Florida, formerly a post office and courthouse.

Over the decade I have worked on this blog, I have covered a number of theatres and theatre spaces. In addition to places that have formerly served as theatres, I have added movie houses, larger structures that include a theatre, structures that are associated with theatres, and the Maryland home of the Booth family, which included some of America’s most famous and infamous actors in the 19th century.

Alabama

Lyric Theatre Birmingham Alabama
Balconies of the Lyric Theatre. Photo by Andre Natta, 2006, courtesy of Flickr.

District of Columbia

Tivoli Theatre Washington DC
Tivoli Theatre, 2005, by D Monack. Courtesy of Wikipedia.

Florida 

Floirda Theatre Jacksonville Florida
Florida Theatre, 1927. Photo courtesy of the Jacksonville Historical Society.

Georgia 

Wink Theatre Dalton Georgia
Wink Theater, 2018. Photo by Lewis Powell IV, all rights reserved.

Kentucky 

Louisville Palace Theatre Kentucky
The house and stage of the Louisville Palace. The theater is designed to ensconce the audience in a Spanish Baroque courtyard. The ceiling is an atmospheric ceiling with clouds. In the 1960s, this balcony was enclosed as a second theater, but this alternation was removed in the 1990s restoration. It’s not hard to imagine spirits spending their afterlife in such a magnificent edifice. A handful of spirits have been reported here including a man in 1930s clothing that has been seen in this balcony. When approached by ushers, the man disappears. Photo taken in 1928, courtesy of the Historic American Building Survey (HABS) collection, Library of Congress, Prints and Photographs Division.

Louisiana

Shreveport Municipal Memorial Auditorium Louisiana
The elaborate facade of the Shreveport Municipal Memorial Auditorium. Photo by Michael Barera, 2015, courtesy of Wikipedia.

Maryland 

Maryland Theatre Hagerstown
The modern entrance to the Maryland Theatre, 2014. Photo by Acroterion, courtesy of Wikipedia.

Mississippi

Temple Theatre Meridian Mississippi
Temple Theatre, 2008. Photo by Dudemanfellabra, courtesy of Wikipedia.

North Carolina 

Carolina Theatre Greensboro North Carolina
Greensboro’s Carolina Theatre in 2008. Photo by Charles Brummitt, courtesy of Wikipedia.

South Carolina

Riviera Theatre Charleston SC ghosts haunted
Riviera Theatre, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

Tennessee

The proscenium arch of the Orpheum Theatre, 2010, by Orpheummemphis. Courtesy of Wikipedia.

Virginia

Hanover Tavern Virginia
Hanover Tavern, 2007 by BrandlandUSA. Courtesy of Wikipedia.

West Virginia 

Apollo Theatre Martinsburg West Virginia
Apollo Theatre, 2009, by Acroterion. Courtesy of Wikipedia.

North Carolina Theatre Haunt Briefs

Needing a project to carry me through this quarantine, I’ve decided to return to some original blog roots. Just after establishing this blog in 2010, I created a series of articles highlighting ten haunted places within each of the 13 states that I cover. Over time, these articles have been picked apart, rewritten, expanded, and used elsewhere. When I moved this blog, I did not move over those articles. Because I have a backlog of incomplete articles and bits and pieces that haven’t been published I’m creating a new breed of these articles during this quarantine.

Back in 2013 I began work on a book project that was to be a guide to the South’s haunted theatres. I finished a number of entries, but life got in the way and the book was never completed. I still have hopes that I will finish this project, especially being that I have added a number of theatres to my list in the past seven years. These entries would have been included in the North Carolina section of the book.

Benton Hall
300 D Street
North Wilkesboro

There is one name from Wilkes County that is oft repeated, Tom Dula (pronounced Dooley). The tale of Tom Dula includes all the makings of a Victorian melodrama: murder, illicit affairs, a lustful soldier and even a few cases of syphilis added into the mix. The 1868 trial and subsequent execution of the amorous Mr. Dula received coverage in national papers including The New York Times and is the subject of a number of songs and ballads like the 1958 Kingston Trio hit, “Tom Dooley.” Dooley’s sad tale is also associated with a number of hauntings in the area including the Old Wilkes County Jail in nearby Wilkesboro, though Benton Hall, the home to the Wilkes Playmakers is not haunted by Dooley’s shade.

The Wilkes Playmakers have kept the legend alive in their performances of the play, Tom Dooley: A Wilkes County Legend, performed in Benton Hall, the company’s adapted performance space. In addition to a handful of organizations that use the old edifice, the theatre company also shares its space with spirits. Benton Hall was originally opened in 1913 as North Wilkesboro Elementary School and its auditorium was renovated into a performance space in the 1990s. Much of the activity appears to be residual and related to the hordes of children who were educated in this building over the decades. Theatre staff report that they have heard the sounds of children playing when alone in the building.

Author Michael Renegar mentions one odd phenomenon that has occurred with some frequency: phantom smells in the building. Interestingly, the smell depends on the gender of the person encountering the odor. Women will smell something sweet like flowers or cloves while men will smell something akin to rotting potatoes. Renegar posits that the spirit possibly prefers the company of women to men.

Sources

  • Absher, R.G. Ghosts of the Yadkin Valley. Charleston, SC: History Press, 2009.
  • Renegar, Michael. Roadside Revenants and Other North Carolina Ghosts and Legends. Fairview, NC: Bright Mountain Books, 2005.
  • Tom Dula. Wikipedia, the Free Encyclopedia. Accessed 17 March 2013.
  • Wilkes Playmakers. “Background.” Accessed 17 March 2013.

Carolina Theatre
224-232 North Tryon Street
Charlotte

Preservationists have been working for some time to rehabilitate the formerly grand theatre and it can be imagined that the restoration will raise spirits both literally and figuratively. One theatre technician called the theatre “a little tea party with all sorts of guests.” He encountered one guest, who he dubbed “Fred,” in and around the booth at the top of the house. He believes the spirit to be a former technician. Other, more shadowy forms have been spotted flitting throughout the ruined house while photographers have captured anomalies on film.

Carolina Theatre Charlotte North Carolina
The hulking remains of the Carolina Theatre in 2015. Renovations have since started. Photo by Fortibus, courtesy of Wikipedia.

The Carolina Theatre, a small, but distinctive movie and vaudeville house, opened in 1927 as part of Paramount’s Publix Theatre chain. Patrons viewed films in the atmosphere of an open-air Spanish patio. Murals and antiques helped set the style inside while such great names as Ethel Barrymore, Bob Hope, and Elvis graced the stage. The theatre saw a major overhaul in 1938 and another renovation in the early 1960s removed much of the original interior. The theatre limped on into the next decade and closed in 1975.

The building was a target for arsonists in 1980 and two years after being added to the National Register of Historic Places, the lobby was demolished, and it was removed from the Register. Almost as an early Christmas gift, the city council voted in 2013 to sell the theatre to the Foundation for the Carolinas which will restore the theatre and operate it as a performing arts center. Work started in 2017 to transform the forlorn theatre into the centerpiece of a civic performance and gathering space. It was also announced that a large hotel will be built atop the theatre. The spirits are delighted, I’m sure.

Sources

  • Carolina Theatre Preservation Society. “Explore the Carolina Theatre.” Accessed 25 March 2013.
  • Lambeth, Cheralyn. Haunted Theatres of the Carolinas. Atglen, PA: Schiffer, 2009
  • Price, Mark. “Who’s there in the dark?” Charlotte Observer. 31 October 2011.
  • Price, Mark. “Will renovation of the Carolina Theatre oust the ghosts rumored to dwell within?” Charlotte Observer. 23 October 2017.
  • Stabley, Susan. “Foundation’s purchase of Carolina Theatre gets OK from Charlotte City Council.” Charlotte Business Journal. 18 December 2012.
  • Williams, Stephanie Burt. Ghost Stories of Charlotte and Mecklenburg County: Remnants of the past in a New South. Winston-Salem, NC: Bandit Books, 2003.

Carolina Theatre
310 South Greene Street
Greensboro

Cheralyn Lambeth, author of Haunted Theatres of the Carolinas, asserts that there’s no factual evidence behind the Carolina Theatre’s ghost story. The story itself is of recent vintage and she could find no evidence backing it up. Though I have been able to find evidence that this story is true.

Carolina Theatre Greensboro North Carolina
Greensboro’s Carolina Theatre in 2008. Photo by Charles Brummitt, courtesy of Wikipedia.

The Carolina Theatre opened on Halloween night, 1927, as the flagship theatre for the Publix-Saenger Theatre Corporation and it hosted the finest acts of the Keith vaudeville circuit. As that art form died out during the Depression, the theatre began showing films and providing other forms of entertainment. Through the middle of the 20th century, the theatre carried on, entertaining the citizens of the region in grand style.

The theatre reopened in 1977 after being refurbished by the United Arts Council as a performance space. Fire destroyed a stairwell on July 1, 1981, and authorities discovered the body of a woman. A few days later, this woman was identified as 47-year-old Melvallene Reva Ferguson, who was reported to have suffered from mental illness. Ms. Ferguson is believed to have entered the theatre the night before the fire broke out. Legend holds that it is her ghost that haunts the theatre.

Following the fire of 1981, the theatre has been restored and reinvigorated and continues to provide the finest in entertainment for further generations.

Lambeth relates one story told to her by a theatre staff member. As he was locking up one evening a voice wished him goodnight. Thinking it was the voice of another staff member who had been working with him, he wished the staff member goodnight in return. Upon making his way to the parking lot, the other staff member’s car was not there. He realized he had been alone in the building.

Goodnight Melvallene, rest well!

Sources

  • “1 killed in theater fire.” Charlotte Observer. 2 July 1981.
  • Carolina Theatre. “History.” Accessed 7 April 2013.
  • Lambeth, Cheralyn. Haunted Theatres of the Carolinas. Atglen, PA: Schiffer, 2009.
  • York, John. “Fire victim identified.” Charlotte Observer. 3 July 1981.

Carolina Theatre
222 1st Avenue, Northwest
Hickory

Throughout the centuries, theatres have often served as centers of the community. This is most certainly the case with Hickory’s Carolina Theatre. Opening in 1934, during the roughest years of the Great Depression, the theatre was built to provide both live entertainment and first-run films. Throughout the country, many of these type theatres, downtown theatres built for live performance and films, fell on hard times in the late 1960s, 70s, and 80s. Being forced to compete with new multiplex operations in newer developments away from the heart of town, these older theatres—often with just a single screen—could not compete. Many of these theatres closed and were shuttered to deteriorate in gloomy darkness. The Carolina Theatre was not one of them.

Perhaps it was the love of patrons—the memories of first dates and kisses in its darkened house, or of hearts stolen by matinee idols—that kept the theatre alive, but it was also good business decisions made by the theatre’s management. The theatre adapted well to the changing economic climate. In 1974, the theatre added a screen by enclosing the balcony, and nearly a decade later it converted to a second-run movie house: thus reducing pressure from the newer first-run houses. The theatre has recently seen renovations to update its facilities for another generation of theatre-goers.

However, there is some tragic history here in the heart of Hickory. One legend that has circulated among theatre employees tells of a young actress carrying on an affair with a married actor. When the actor’s wife learned of the illicit goings-on, she confronted the actress at the theatre. One of the women shot the other, though it differs depending on the version of the legend. People entering the theatre’s dressing room where the murder occurred have felt a spirit present. Interestingly, this is comparable to the legend of the Athens Theatre in DeLand, Florida where an actress fell in love with the theatre’s married manager and she was killed when his wife confronted her.

Another story from the Carolina involves the door to the theatre’s office. Often, when the theatre is quiet, or just after closing time, staff members will hear the door slam. This has been attributed to the spirit of a theatre manager who died within the office. It’s also noted that the office is often quiet cold, even on days when the rest of the theatre is quite warm.

Sources

  • Carolina Theatre. “Our History.” Accessed 7 April 2013.
  • Lambeth, Cheralyn. Haunted Theatres of the Carolinas. Atglen, PA: Schiffer, 2009.

Cary Arts Center
100 Dry Avenue
Cary

Little has been documented about ghostly goings-on at the Cary Arts Center, formerly Cary High School. Kala Ambrose mentions in her Ghosthunting North Carolina that spirits were seen and felt when the building served as a school, but few details are provided. The school was constructed in 1939 by the Works Progress Administration and the large, Georgian building was purchased by the city in 2006. After a few years of renovations, the building was opened in 2011 as the Cary Arts Center. Among other arts groups, it provides facilities for the Cary Players.

Sources

  • Ambrose, Kala. Ghosthunting North Carolina. Cincinnati, OH: Clerisy Press, 2011.
  • Cary Arts Center (Former Cary High School). Triangle Wiki. Accessed 7 April 2013.

Frank Thompson Hall
Campus of North Carolina State University
Raleigh

Frank Thompson was quite an athlete. This engineering major was captain of both the university’s baseball and football teams. When he was killed in action in France during the First World War, the university felt the need to pay homage to this scholar-athlete by naming the new gymnasium building for him. With the building of Reynolds Coliseum, the graceful, Beaux Arts-style gymnasium was no longer needed, so it was converted into a theatre facility. Over its decades of use as a theatre, students have taken to attributing odd and possibly paranormal activity to Frank Thompson, though there is no real reason why he would be haunting this elegant structure.

Postcard Frank Thompson Gymnasium NC State University Raleigh North Carolina
An undated postcard of Thompson Hall. Postcard in the Massengill Postcard Collection, North Carolina State Achives.

The NC State University Theatre blog records an odd incident that happened to the theatre’s scenic designer while he was painting a set one afternoon in the studio theatre. The designer noted that there were few people in the building at this particular time. He stood back to look at what he had just painted when he felt a strong gust of air rapidly pass by him. He thought for a moment that someone had walked past him rapidly; problem was that he was alone in the theatre. He checked the doors to see if an open door had caused a cross breeze; again, that was not the case. While he’s not able to attribute this to a paranormal cause the designer has still been left quite puzzled. He also notes that while this event was the first unexplainable thing to happen to him in the theatre building, many others have their own stories.

[N.B. I have noted the date of this particular blog entry, April Fool’s Day, though nothing about the blog entry reads as a joke to me.]

Sources

  • Cook, Ellie. “I ain’t afraid of no ghost.” NC State University Theatre blog. 1 April 2010.
  • NCSU. “Frank Thompson Hall.” Accessed 4 April 2013.

Alabama Haunt Briefs

Needing a project to carry me through this quarantine, I’ve decided to return to some original blog roots. Just after establishing this blog in 2010, I created a series of articles highlighting ten haunted places within each of the 13 states that I cover. Over time, these articles have been picked apart, rewritten, expanded, and used elsewhere. When I moved this blog, I did not move over those articles. Because I have a backlog of incomplete articles and bits and pieces that haven’t been published I’m creating a new breed of these articles during this quarantine.

The Alabama article, the first to be posted, was recreated after I finished my Alabama book as the “Southern Spirit Guide to Haunted Alabama.” This article contains new entries that I have not covered in this blog.

Hank Williams Boyhood Home and Museum
127 Rose Street
Georgiana

One of Alabama’s most important native sons, Hiram King “Hank” Williams, Sr. played a major role in taking country music from the rural backwaters and byways of the South to nationwide popularity. He created a sound that combined the folksy sound of Jimmie Rodgers with stylistic elements of African-American blues, taught to him by Rufus “Tee Tot” Payne, all combined with honest, straight-talking, and evocative lyrics that are now the standard for country music lyricism. Williams’ hard drinking and even harder living lead to an early death at the age of 29 while traveling to West Virginia. While he sang, “I’m Leavin’ Now,” it seems that Williams’ spirit may remain earthbound. His lonesome spirit appears at several sites associated with his life including Birmingham’s Redmont Hotel.

Hank Williams Boyhood Home Georgiana Alabama
Hank Williams’ Boyhood Home, 2010, by Carol M. Highsmith. Courtesy of the George F. Landregger Collection of Alabama Photographs in Carol M. Highsmith’s America. Courtesy of the Library of Congress, Prints and Photographs Division.

Born in rural Butler County in 1923, young Hank’s early childhood was fraught with difficulties. Hank’s father, a long-term patient at the veterans’ hospital in Pensacola, Florida suffering from a brain injury sustained during his service in World War I, left Lily, Hank’s mother, to fend for herself and her little family. They were offered this home in Georgiana in 1930 after the family lost their cabin and all their possessions in a fire.

Williams lived here with his family during perhaps the most significant time in his musical development. During the four years the family occupied this house, Williams is said to have practiced his guitar underneath it while sitting on “an old car seat.” Williams’ son, Hank Jr., writes of an encounter with his father’s spirit at this home in his song, “127 Rose Avenue.” Can this be considered actual evidence of a haunting? Perhaps, or maybe it’s simply Hank Junior’s lyrical way of memorializing his late father.

Sources

  • Butler County Heritage Book Committee. Heritage of Butler County, Alabama. Clanton, AL: Heritage Publishing Consultants, 2003.
  • Lange, Jeffrey J. “Hank Williams Sr.” Encyclopedia of Alabama. 19 March 2007.
  • Serafin, Faith. Haunted Montgomery, Alabama. Charleston, SC: History Press, 2013.

Lafayette Lanier Elementary School and Langdale Auditorium
6001 20th Avenue
Valley

Following the Civil War, local industrialists began establishing textile mills throughout the South. In order to provide for their employees—and also as a way of making them and their families beholden to the mill owners and managers—these industrialists established mill villages. These villages provided most everything an employee and their families would require including housing, schools, churches, and stores. Valley, Alabama is made up of a series of mill villages on the western bank of the Chattahoochee River.

Langdale Auditorium Valley Alabama
Langdale Auditorium stands next to Lafayette Lanier Elementary. Photo 2016, by Lewis O. Powell IV, all rights reserved.

One of the oldest of these villages is centered on the Langdale Mill that was established in 1866. While the village has a number of late-19th century buildings, many of the most prominent buildings were constructed in the early 20th century. Lafayette Lanier Elementary School and the adjoining Langdale Auditorium were constructed around 1935. Though the mill across the street has closed, both buildings are still used for their initial functions and known to be haunted.

Kenneth W. Allen, a local paranormal investigator, penned a book, Southern Alabama Hauntings, in 2013. An employee with local law enforcement and first responders, Allen was in a great position to collect tales of strange doings in the area. With these stories, he also investigated several of these locations to further prove rumors of them being haunted.

In the book, Allen includes the experience of a local police officer who was sent to investigate a possible intruder in the school. He made his way through the first floor and found no one so he headed up to the second floor. Stepping into the second-floor corridor, he spotted a figure darting into one of the classrooms. He drew his weapon and called for backup. When three other officers arrived, they proceeded into the classroom that the suspect had disappeared into only to find the room empty. Over the years, teachers, staff, and students have seen an odd figure on the second floor. One story reveals that the figure is that of one of the school’s principals.

The auditorium has its own panoply of ghosts. Besides footsteps that reportedly resound throughout the old building, the spirits enjoy playing with toys that are kept in storage. Allen tells one story of a teacher who put toys away only to find them out again when she entered the storage room a short time later.

Sources

  • Allen, Kenneth W. Southern Alabama Hauntings. CreateSpace: 2013.
  • Binkley, Trina. National Register of Historic Places Nomination form for the Langdale Historic District. May 1999.

Mount Pisgah Missionary Baptist Church Cemetery
7400 Tabor Road
Gadsden

A recent conversation with a Northeast Alabama resident led me to begin uncovering stories from this cemetery. Located northeast of Gadsden on Lookout Mountain, this small country church has an old cemetery located just across the road. Consulting the Find-A-Grave page on this cemetery, it seems that the first burial occurred in 1886 and continuing to the present day.

As for the spookier side of this cemetery, it is reported that strange lights are sometimes seen here. I would note that these are likely cemetery lights, which are seen in and around cemeteries worldwide. Additionally, disembodied voices are heard.

A search on this location brought up a frightening account on GhostsofAmerica.com. While I cannot vouch for the validity of this account, it seems to me to ring true. According to this account, a group of curious people decided to visit the cemetery after finding it listed on a haunted places website. As they stepped out of their car, the group began to hear strange whistling, screaming, and a thumping noise. Frightened, the group piled back in their car as the sounds grew closer. Before the group drove away, a hand appeared, pressing against the passenger window.

Please respect this holy burial ground, and tread lightly taking only memories with you.

Sources

Old Bibb County Jail
21 Court Square, West
Centreville

When I wrote my Alabama book, the Old Bibb County Jail was facing a death sentence. Local officials had made the decision to demolish the forlorn building on the town square. Sadly, the death sentence was imposed, and the building has been razed.

Built in 1910, this imposing Renaissance Revival structure had seen many a prisoner pass through its barred cells until its closure in 2004. Indeed, it also saw executions as well, with the last occurring in 1949. Perhaps this is why the building may be haunted. A 2009 investigation report from the Tuscaloosa Paranormal Research Group suggests that paranormal activity in the old jail ranges from full body apparitions to odd sounds and a feeling of being watched.

Sources

  • Floyd, W. Warner. National Register of Historic Places Nomination form for the Centreville Historic District. 21 December 1977.
  • McClanahan, Mike. “Old Bibb County Jail set to be demolished, citizens protesting decision.” WIAT. 5 June 2015.
  • Reed, Jon. “See inside 105-year-old abandoned Alabama jail.” com. 15 June 2015.
  • Tuscaloosa Paranormal Research Group. Bibb County Jail. 14 November 2009.

Peerless Saloon & Grille
13 West 10th Street
Anniston

The Peerless Saloon may have had few peers when it opened in 1899, though now there are quite a few options for spirits in Anniston. However, the Peerless has few peers regarding ghosts, legends, or history. From 1899 until Prohibition, the Peerless offered an opulent place to enjoy a cocktail and possibly buy some time with a lovely woman upstairs.

Peerless Saloon Anniston Alabama
The Peerless Saloon in all its Victorian glory, 2014. Photo by Chris Pruitt, courtesy of Wikipedia.

Gentlemen entering the Peerless in the early 20th century were greeted by Lucinda Talley from her perch at the top of the stairs. She reigned as a queen over her brothel for a little more than 20 years before she met her death here. In 1920, as police chased a saloon patron upstairs, she unknowingly stepped into the line of a police bullet; some suspect she has not left her post.

After sitting abandoned and decaying for many years, the saloon was restored and reopened in 1992. Mrs. Talley’s upstairs domain now features an events space called the Atlanta Room. Staff members have glimpsed Lucinda still at her post at the top of the stairs and in the Atlanta Room. It may also be her spirit who occasionally breaks glasses behind the bar. The Oxford Paranormal Society visited The Peerless some years ago capturing a few visual anomalies on video.

Sources

  • Barton, Donna. “Local filmmakers tackle the legend of Lucinda.” Anniston Star. 1 March 2015.
  • “History.” Peerless Saloon. <http://www.southernmusic.net/peerless2.html>. Accessed 6 June 2015.
  • Kazek, Kelly. “Few historic stagecoach inns and taverns survive across Alabama, take a tour.” com. 14 August 2014.
  • Oxford Paranormal Society. Peerless Saloon. Accessed 6 June 2015.

Swift-Coles Historic Home
17424 Swift-Coles Lane
Bon Secour

This late 19th century home presents a glimpse into life on the Alabama coast in the early 20th century. When Charles Swift moved to the area in 1885, he purchased a small dogtrot house—a house featuring an open hallway through the middle— with four rooms on either side. During the Swift family’s occupation, they transformed the home into a luxurious 16-room mansion. The house remained in the family until 1976 when a local entrepreneur bought and restored it.

Swift-Coles House Bon Secour Alabama
Swift-Coles House, 2015, by Sandy Forsman. Courtesy of Wikipedia.

In 2008, the house was investigated by Bon Secour Paranormal Investigations. An article from the Mobile FOX affiliate details the investigation and reveals that the apparition of a female servant has been seen on the stairs, while Civil War soldiers have been seen in the front yard. The article reports that throughout the night the team experienced “small, but strange phenomena.”

Sources

  • Jackson, John. “Baldwin County’s tidewater mansion: the historical Swift-Coles home.” Gulf Coast Visitor’s Guide. 20 August 2013.
  • Rockwood, Mike and Charissa Cowart. “Ghost hunters, Swift-Coles House.” FOX10. 31 October 2008.

Trinity Lutheran Church
1024 Quintard Avenue
Anniston

A “benign, Casper-like, presence” may haunt Trinity Lutheran Church, according to the church’s pastor. A Halloween 2010 article in the Anniston Star details the haunting of this 1920s-era church and the parish house next door. The legend of this church dates to the church’s construction as Sacred Heart of Jesus Catholic Church. A priest supposedly died in a bedroom of the parish house, and he has continued to return for many years. Another priest living in the parish house later summoned the police after hearing heavy footsteps walking towards his bedroom. When police arrived, no one was found in the home. Now a Lutheran church, members and staff have continued to hear footsteps and have sensed the presence of the long- dead priest.

Sources

  • Buckner, Brett. “Ghost of the parsonage: It is said that Trinity Lutheran is haunted by a benign spirit.” Anniston Star. 30 October 2010.

“The damnedest multiplex this side of Hell”—Tampa, Florida

This is the second entry in my Twelve Days of Southern Spirits Series celebrating traditional ghost story telling over Christmas.  

Britton Cinema 8
3938 South Dale Mabry Highway (US-92)
Tampa, Florida

A 2012 article from the Tampa CBS affiliate describes the city as “the damnedest city this side of Hell,” and with that the Britton Cinema 8 could be called “the damnedest multiplex this side of Hell.” The article goes on to note that there’s no rhyme or reason for the theatre to be haunted, but it is, apparently.

The Britton Theater opened in 1956 and was hailed as being the “first modern indoor theater in 32 years.” Situated in the Britton Plaza Shopping Center, the theater had been built for $750,000 and sat 2,200 patrons in front of a single, large, seamless screen measuring 60-feet across. Seven years later, the large auditorium was split into three separate theatres, with the building being divided into 8 screens in 1992. This multiplex remains in operation.

Tampa Times 1956 ad opening Britton Theater Tampa Florida
Advertisement for the opening of the Britton Theater, 1956, from the Tampa Times.

An anonymous report from the Ghosts of America website describes an encounter a patron had in the building around 2009 or 2010. This patron took advantage of a $1 movie ticket deal the theater offered on Tuesday nights. As the movie started, the patron looked around and realized that they were the only person in the theatre. About a third of the way through the movie, the patron spied an older woman sitting in a seat across the aisle, but she had apparently disappeared a short time later. The patron then noticed a man in the theater who was seated in a different place every time they looked, though they never saw that person move. When they left, there was no one in the theater. The patron reported that they were not frightened by this, only perplexed.

The patron spoke to a friend who worked at the Britton 8 who had numerous experiences while working there. One of the most prominent things to occur happened in the employee corridor that links all of the projection rooms. A large piece of equipment used to transfer heavy reels of film was moved one evening to block the entrance door to the corridor. Curious as to why the door could not be opened, the employees had to enter the corridor via the fire escape.

Most sources note that nothing in the theater’s history indicates why the theater is haunted. Perhaps the spirits are just attracted to the films?

Sources

  • Tampa, Florida Ghost Sightings.” Accessed 26 December 2019.
  • Britton 8 Theater.” CinemaTreasures.org. Accessed 26 December 2019.
  • “Britton Theater, Tampa’s Largest, Will Seat 2000.” The Tampa Times. 15 August 1956.
  • Mole, Amanda. “Tampa Bay’s most haunted places.” CBS Tampa. 25 October 2012.

Doing the Charleston: A Ghostly Tour—North of Broad

N.B. This article was originally published 13 May 2015 as a single, massive article. It’s now broken up into three sections, South of Broad, North of Broad, and Charleston Environs, which have all been rearranged and revised for ease of use.

Known as the “Holy City” for the number of churches that raise their steeples above the city, Charleston, South Carolina is also known for its architecture, colonial and antebellum opulence, as well as its haunted places. This tour looks at the highlights among Charleston’s legends and ghostlore.

Broad Street cuts across the Charleston peninsula creating a dividing line between the most historic, moneyed, aristocratic portion of the city—located south of Broad—and everything else. For convenience, this tour is now divided into separate articles covering the area South of Broad, North of Broad, and the Environs. Locales in this article include places open to the public as well as private homes. For these private homes, please respect the privacy of the occupants, and simply view them from the street.

The tour is arranged alphabetically by street, with the sites in order by street address south to north and east to west.

Archdale Street

Unitarian Church and Churchyard
4 Archdale Street

A lady in white walks through the garden-like churchyard here. Over the years, a story has arisen identifying this woman as Annabel Lee, one of the loves of the great American horror writer Edgar Allen Poe. Poe did spend time in the Charleston area, and some believe that his poem, “Annabel Lee” may be based on an actual person. There is no historical connection that can be made with anyone buried in the churchyard.

This historic churchyard is one of the most magnificent places to sit and contemplate in the city of Charleston. Be sure to also see the interior of the church; the fan vaulted ceiling is magnificent.

interior of the Unitarian Church Charleston SC ghosts haunted
Interior of the Unitarian Church, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Workers of the Writers’ Project of the Works Progress Administration. South Carolina: A Guide to the Palmetto State. NYC: Oxford University Press, 1941.

East Bay Street

Southend Brewery
161 East Bay Street

As you pass the Southend Brewery, look towards the third-floor windows. Ill-fated businessman, George Poirer was looking through these windows as he took his life in 1885. His body was discovered hanging from the rafters here after being seen by a passerby the following morning. Poirer was upset over losing his fortune when a ship he had invested in burned on its way out of Charleston Harbor.

Southend Brewery Charleston SC ghosts haunted
Southend Brewery, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

This building was built in 1880 for F. W. Wagner & Company. Paranormal activity has been reported throughout the building after its conversion to a brewery and restaurant. In addition to the occasional vision of someone hanging on the upper floors, restaurant staff and patrons have heard spectral voices and experienced odd breezes.

Sources

  • Buxton, Geordie & Ed Macy. The Ghosts of Charleston. NYC: Beaufort Books, 2001.
  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Broad Street

Blind Tiger Pub
36-38 Broad Street

The Bling Tiger Pub occupies a pair of old commercial buildings which have served a variety of uses over the years. Number 38 served as home to the State Bank of South Carolina for many years, but the story of Number 36 is more interesting and has provided the strange name for the pub.

During the administration of Governor “Pitchfork” Ben Tillman (1895-1918), the state of South Carolina attempted to control the sale of alcohol. Throughout Charleston small establishments sprung up where the citizenry could, for a small admission fee, see a blind tiger, with drinks provided as compliments of the house. Number 36 housed one of these establishments; then during national prohibition, this building housed a speakeasy.

The pub is known to be inhabited by happy spirits according to a former employee. Patrons and staff have seen figures in the building while odd sounds have been heard. Staff closing the back porch have had the motion-activated light come on without anyone being present.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Charleston City Hall
80 Broad Street

Charleston City Hall ghosts haunted
Charleston City Hall, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

Charleston’s marvelous city hall was originally constructed as a branch of the first Bank of the United States in 1800. In 1818, it was transformed into city hall. Confederate General Pierre Gustave Toutant Beauregard, a native of Louisiana, was in charge of the city’s defenses during the attack on Fort Sumter, the battle that started the Civil War. He returned later in the war to command the coastal defenses for the Deep South. According to Tally Johnson, his spirit has been seen prowling the halls of this magnificent building. One of Beauregard’s homes, now called the Beauregard-Keyes House, in New Orleans is also the home to spirits.

Sources

  • Johnson, Tally. Civil War Ghosts of South Carolina. Cincinnati, OH. Post Mortem Paranormal, 2013.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997. 

Calhoun Street

Joe E. Berry Hall – College of Charleston
162 Calhoun Street

This modern building stands on the site of the Charleston Orphan House, which was built in 1790. A story is commonly related that the orphanage was the scene of a fire in 1918 that killed four orphans, though there is no documentary evidence of this. The orphanage was torn down in 1951 and a commercial building erected on the site. After the construction of Berry Hall, the building has been plagued with fire alarm problems. Even after replacing the system, the problems persist. Additionally, there are spectral sounds heard within the building, including voices.

Joe Berry Hall College of Charleston ghosts haunted
Joe E. Berry Hall, 2012. Photo by Lewis O. Powell, IV. All rights reserved.

Sources

  • Buxton, Geordie & Ed Macy. Haunted Charleston. Charleston, SC: History Press, 2004.
  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.

Chalmers Street

Old Slave Mart
6 Chalmers Street

Old Slave Mart Museum Charleston SC ghosts haunted
Old Slave Mart Museum, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

Now a museum devoted to the history of the trans-Atlantic slave trade, this building was originally constructed in 1859 to house Ryan’s Mart, a slave market. The last slave sales occurred here in 1863, but the misery induced by those few years of sales remains. According to Denise Roffe, museum employees have had run-ins with shadowy figures throughout this building.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Pink House
17 Chalmers Street

Pink House Charleston SC ghosts haunted
Pink House, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

This quaint house is among the oldest buildings in the city, having been constructed around 1712. It is believed to have housed that was owned and operated by female pirate Anne Bonny. Geordie Buxton suggests that the feminine spirit here may be her shade.

Sources

  • Buxton, Geordie. “You are here.” Charleston Magazine. October 2013.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Church Street

Dock Street Theatre
135 Church Street

The spirited and storied Dock Street Theatre is covered in depth in my article, “Phantoms of the Opera, Y’all—13 Haunted Southern Theatres.”

St. Philips Episcopal Church
146 Church Street

With a commanding view of Church Street, it’s hard to miss St. Philips. The building’s massive portico protrudes into the street and the steeple acts as a stern finger warning the city of the wages of sin. The clean and stringent Classical lines of the church seem to set the tone for the remainder of the city. The first structure on this site was a cypress building constructed in 1682. It was replaced in the early 18th century with an English Baroque church. After the Baroque church’s destruction by fire in 1835 the current building was built. Because of its architectural and historical importance, St. Philips is now a National Historic Landmark.

St Phlips's Church Charleston SC ghosts haunted
St. Philip’s Church, 2012. Photo by Lewis O. Powell IV, all rights reserved.

Around this church lies an ancient churchyard that serves as the final resting place for many prominent Charlestonians and a stopping point for numerous ghost tours. To address the ghost tours, just inside the gate to the left of the church building is a small sign stating, “The only ghost at the church is the Holy Ghost.” One of the more recent paranormal events took place in 1987 when a photographer snapped a few pictures just inside the gate. When the pictures were developed, he was shocked to see the image of a woman kneeling on a grave. Further research has indicated that the grave is that of a socialite who had passed nearly a century before. The photograph was taken on the anniversary of her death. 

Sources

  • Brown, Alan. Haunted South Carolina. Mechanicsburg, PA: Stackpole Books, 2010.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Our History.” St. Philip’s Church. Accessed 22 February 2011.

Bocci’s Italian Restaurant
158 Church Street

One evening as staff members were cleaning up in the second-floor dining room. One of them saw someone who they thought was the kitchen manager crouched by one of the walls. He called the manager’s name and got no response. As he approached the figure, the staff member realized that it was someone else and the figure was transparent. Perhaps the figure may be one of people killed in this building during a fire in the 19th century.

Bocci's Italian Restaurant Charleston SC ghosts haunted
Bocci’s, 2011. Photo by Lewis O. Powell, IV.
All rights reserved.

This building was constructed in 1868 by the Molony family who operated an Irish pub on the ground floor. When Governor Tilman attempted to control alcohol sales in the state (see the entry for The Blind Tiger Pub on Broad Street), the family converted the pub into a grocery with a small room in the back for illegal alcohol sales.

Reports of paranormal activity in the building mostly come from the second and third floors where doors open and close by themselves, voices are heard and there is mysterious rapping on doors.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Tommy Condon’s Irish Pub
160 Church Street

Tommy Condon's Irish Pub Charleston SC ghosts haunted
Tommy Condon’s Irish Pub, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

On the floor around the bar of this Irish pub, a metal track still runs reminding visitors of this building’s original use: as a candy factory. According to Denise Roffe, this building is apparently a warehouse for ghosts. She notes that a certain section of the restaurant feels very uneasy to guests and staff alike, while the women’s restroom and the kitchen also play host to spirits. 

Sources

  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010. 

Old Charleston Ghost Shop
168 Church Street

Sadly, this store is now closed, but it was a great place for all things creepy in Charleston. Of course, the shop also had some mischievous spirits that are reported to pull pictures from the walls, rummage through the cash drawers left over night, and cause the occasional spectral racket.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.

Cunnington Street

Magnolia Cemetery
70 Cunnington Street

In the mid-19th century, this cemetery, located outside the bulk of the city of Charleston, became the primary burying ground for the best of Charleston’s citizens. Denise Roffe reports that there are some wandering spirits among the magnificent funerary art here. See my post, “Locked In,” for further information.

Grave of Rosalie Raymond White in Magnolia Cemetery Charleston SC ghosts haunted
Grave of Rosalie Raymond White in Magnolia Cemetery. Photo 2011, by Lewis Powell IV, all rights reserved.

Elizabeth Street

Aiken-Rhett House
48 Elizabeth Street

According to Jonathan Poston’s The Buildings of Charleston, this estate is considered “the best-preserved complex of antebellum domestic structures” left in Charleston. The house remained in the family as a residence until it was donated to the Charleston Museum in the 1970s. Since its opening as a museum, the house has been left as is with conservation work done only to prevent deterioration.

This house was constructed in 1817 for merchant John Robinson; but following a financial reversal the house was purchased by William Aiken, Sr., founder and president of the South Carolina Railroad. Aiken’s son renovated the house and added a series of outbuildings including slave quarters to accommodate his many slaves. It is noted that by the eve of the Civil War, Governor William Aiken, Jr. was the largest slave owner in the state.

Aiken-Rhett House Charleston SC ghosts haunted
Aiken-Rhett House, 2012. Photo by Lewis O. Powell, IV. All rights reserved.

Within the slave quarters, two visitors encountered an African-American woman who disappeared in the warren of rooms on the second floor. A pair of architects within the house in the late 1980s saw the image of a woman in a mirror sobbing and silently screaming in the ballroom of the house. Others within the house have taken photographs with possible paranormal anomalies. 

Sources

  • Aiken-Rhett House Museum.” Historic Charleston Foundation. Accessed 12 May 2015.
  • Buxton, Geordie & Ed Macy. The Ghosts of Charleston. NYC: Beaufort Books, 2001.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Hassell Street

Jasmine House Inn
64 Hassell Street

The only documented paranormal incident to take place in this 1843 house is rather humorous, though I’m sure the businessman involved did not see it that way. A gentleman staying in the Chrysanthemum Room some years ago awakened to find the apparition of a woman within his room. When he tried to leave the room, she blocked his way and shredded his newspaper. The guest was able to get to the phone and call the front desk to summon the manager. When the manager arrived, the shaken guest was alone in the room, but his mail had been tossed about and his newspaper lay in pieces on the floor.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Ward, Kevin Thomas. South Carolina Haunts. Atglen, PA: Schiffer, 2014.

King Street

Charleston Library Society
164 King Street

Having been organized in 1748, the Charleston Library Society is the third oldest private library in the country. Built for the library in 1914, some believe that spirits that dwell among its highly regarded stacks. William Godber Hinson, whose precious collection is housed here, may still remain among his books. One librarian reported to the Charleston Mercury that she saw a bearded gentleman in period clothing near the Hinson stacks. Other librarians in the area have experienced sudden blasts of icy air and heard the sounds of books moving.

Sources

  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.
  • Salvo, Rob. “Legends and ghoulish traditions of the Library Society. Charleston Mercury. 11 April 2011.

Riviera Theatre
225 King Street

This Art Deco landmark opened in 1939 and closed as a cinema in 1977. After being saved from demolition in the 1980s, it was purchased by the Charleston Place Hotel which uses the space as a conference center and ballroom.

Riviera Theatre Charleston SC ghosts haunted
Riviera Theatre, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

Denise Roffe writes that during the theatre’s renovations, a worker had tools disappear only to reappear some days later in the exact spot where he had left them. She also mentions that a young woman touring the building had an encounter with a spectral cleaning woman. She only realized the woman was a ghost when she realized the figure was transparent.

Sources

  • Riviera Theatre.” Cinema Treasures. Accessed 12 May 2015.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Urban Outfitters
(formerly the Garden Theatre)
371 King Street

Walk in to this store and look up at the magnificent ceiling. This building was once the Garden Theatre, a vaudeville theatre built in 1917. The theatre was restored in the 1980s as a performing space, though most of the fitting were removed when the building was converted for commercial use in recent years. The spirit of an African-American man, possibly a former usher, has been seen here.

Sources

  • Buxton, Geordie & Ed Macy. The Ghosts of Charleston. NYC: Beaufort Books, 2001.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Francis Marion Hotel
387 King Street

The most commonly told legend about this early 1920s-era hotel involves a young businessman from New York City. In 1929, after meeting and falling in love with a lovely lady from Charleston, Ned Cohen asked to be assigned to South Carolina by Florsheim Shoes. The young lady visited him at the hotel but left while he was asleep leaving a note saying that she could not carry on the relationship. In grief, he tucked the note in his suit pocket and jumped from his room to die on King Street below.

rion Hotel Charleston SC ghosts haunted
Francis Marion Hotel, 2012. Photo by Lewis O. Powell IV, all rights reserved.

Guests in Ned Cohen’s former room have reported the window opening by itself. Cohen’s distraught form has been seen in the halls of the hotel while others have been disturbed to see someone falling past their windows. When they look out, everything is normal below. James Caskey reports that a search for documentation to back up the story has proven fruitless.

Sources

  • Buxton, Geordie & Ed Macy. Haunted Charleston. Charleston, SC: History Press, 2004.
  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997. 

Magazine Street

Old City Jail
21 Magazine Street

In recent years, this formidable building has become a mecca for ghost hunters and tours. Sadly, much of the legend surrounding the old jail is either exaggerated or total bunk. While many deaths likely occurred here, the number of 40,000 used by many guides is highly inaccurate. Also, the stories told about the crimes and execution of Lavinia Fisher are mostly fictional. Yes, Lavinia Fisher was held here, and she and her husband were executed, but her crimes and rebellious demeanor on the gallows are the product of fiction. If Lavinia Fisher does haunt this place, it is likely only in an attempt to clear her sullied name.

I have covered the jail in two articles: one looks at a televised investigation, and the second recounts my own tour of this most haunted building.

North Market Street

Mad River Bar & Grille
32 North Market Street

Mad River Grill Charleston SC ghosts haunted
Mad River Grille, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

 

The Church of the Redeemer was constructed in 1916 to replace the Mariner’s Church that was damaged in the Great Earthquake of 1886. Services in the church ceased in 1964 and the building became a restaurant. Evidently, the spirits residing here do not approve of the building’s use as a restaurant. Bottles behind the bar have been thrown off the shelf and broken and electrical problems often occur with the restaurant’s system and computer systems. 

Sources

  • Buxton, Geordie & Ed Macy. Haunted Harbor: Charleston’s Maritime Ghosts and the Unexplained. Charleston, SC: History Press, 2005.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Meeting Street

Mills House Hotel
115 Meeting Street

The current Mills House Hotel is a reproduction of the original that was constructed on this site in 1853. By the early 1960s, the building was in such a severe state of disrepair that the original had to be torn down and replaced with a reproduction. The spirits don’t appear to really know the difference and continue their residence.

Mills House Hotel Charleston SC ghosts haunted
Mills House Hotel, 2011. Photo by Lewis O. Powell, IV. All rights reserved.

Denise Roffe reports that several children’s spirits have been reported here along with the specter of a man in a top hat. Confederate soldiers have also been seen prowling the corridors, hearkening back to the hotel’s use as a base for Confederate forces during the Civil War.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Dyas, Ford. “See the real ghosts at these haunted hotels. Charleston City Paper. 24 October 2012.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010. 

Circular Congregational Church
150 Meeting Street

The long span of Meeting Street was named for the Congregational meeting house that has been located on this site since the 1680s, shortly after Charleston’s founding. The Romanesque Revival church dates only to 1891, while the cemetery surrounding it includes some of the oldest graves in the city.

Circular Congregational Church Charleston SC ghosts haunted
The Circular Congregational Church, 2012. Photo by Lewis O. Powell IV, all rights reserved.

Many graves are unmarked and, according to the Bulldog Ghost & Dungeon Tour, many more lie under the adjacent bank parking lot. Numerous ghost tours pass by through this ancient place. The entry on the churchyard in Jeff Belanger’s Encyclopedia of Haunted Places reveals that witnesses report orbs, strange mists, apparitions ,and voices under the cemetery’s ancient oaks.

Sources

  • Bordsen, John. “Find the most haunted places in these Carolina towns. Dispatch-Argus. 10 October 2010.
  • Davis, Joanne. “Circular Church Cemetery.” in Jeff Belanger’s The Encyclopedia of Haunted Places. Franklin Lakes, NJ: New Page, 2005.
  • Mould, David R. and Missy Loewe. Historic Gravestone Art of Charleston, South Carolina 1695-1802. Jefferson, NC: McFarland & Co, 2006.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.
  • Zepke, Terrence. Best Ghost Tales of South Carolina. Sarasota, FL: Pineapple Press, 2004.

Meeting Street Inn
173 Meeting Street

The Meeting Street Inn was one of the first bed and breakfasts to open in this city during the tourism boom of the 1980s. Guests staying in Room 107 have been awakened to the specter of a woman, while Room 303 has had its deadbolt lock while guests are out of the room.

Sources

  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.
  • Ward, Kevin Thomas. South Carolina Haunts. Atglen, PA: Schiffer, 2014.

Charleston Place Hotel
205 Meeting Street

When construction commenced on the Charleston Place Hotel it replaced a number of historic structures that were demolished. Denise Roffe mentions a number of odd occurrences happening to guests and staff alike throughout the hotel. These occurrences include mysterious footsteps, knocking on doors, and apparitions.

Sources

  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Embassy Suites—Historic Charleston Hotel
337 Meeting Street

Dominating one side of Marion Square, the Embassy Suites hardly looks like a typical chain hotel. This building was constructed as the South Carolina Arsenal in 1829 following the 1822 slave insurrection led by Denmark Vesey. The South Carolina Military Academy was founded here in 1842. Renamed The Citadel thanks to this formidable structure, the school moved to its present site on the Ashley River in 1922.

Embassy Suites Charleston SC formerly SC State Arsenal and The Citadel ghosts haunted
Entrance to the Embassy Suites, 2014. Photo by Niagara, courtesy of Wikipedia.

Guests and staff members of this hotel have encountered the spirit of a Citadel cadet who remains in this building. He appears dressed in the school’s military uniform, one that has remained unchanged from its original appearance. The only detail that indicates to the living that this is a ghost is the fact that the top of this young man’s head is missing.

Sources

  • Buxton, Geordie & Ed Macy. Haunted Charleston. Charleston, SC: History Press, 2004.
  • Fant, Mrs. James W. National Register of Historic Places Nomination form for the Old Citadel. 16 May 1970.
  • South Carolina State Arsenal.” Wikipedia, the Free Encyclopedia. Accessed 12 May 2015.

Montagu Street

Benjamin Smith House
18 Montagu Street, private

This late 18th century home sustained damage during a hurricane in 1811. Legend holds that as the chimney collapsed, the enslaved woman who served as a nanny to her owner’s children shielded them from the falling bricks with her body. She was killed as the bricks pummeled her, but the children were saved. This home has since been divided into apartments and College of Charleston students living here have encountered the enslaved woman several times.

Sources

  • Buxton, Geordie & Ed Macy. Haunted Charleston. Charleston, SC: History Press, 2004.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Queen Street

Philadelphia Alley
Between Cumberland and Queen Streets

The name Philadelphia, meaning “brotherhood,” contradicts this space’s occasional use as a dueling site. The sounds of dueling remain here accompanied, according to some reports, by a faint, spectral whistling. It was here that the duel of Joseph Ladd and Ralph Isaacs commenced in October of 1786. The whistling has been attributed to Ladd’s sad spirit continuing to haunt the spot where he was mortally wounded. Spectral whistling is also heard in his former home, the Thomas Rose House at 59 Church Street, which is detailed in the South of Broad section.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Martin, Margaret Rhett. Charleston Ghosts. Columbia, SC University of South Carolina Press, 1963.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Poogan’s Porch
72 Queen Street

Poogan, a local canine, adopted the porch of this restaurant as his home around the time this house was converted into a restaurant. Upon his death, the restaurant owners afforded him a prime burial spot just inside the gate. One author witnessed a child playing under his parent’s table one evening. The way the child was laughing and cavorting with something unseen, the assumption was made that the child may have been playing with the spirit of Poogan.

While Poogan remains a playful resident, it is the spirit of Zoe St. Armand who dominates this restaurant. St. Armand was one of a pair of spinster sisters who lived here for many years. The wraith of Zoe has been spotted in the women’s restroom and lingering at the top of the stairs by patrons and staff alike.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Pitzer, Sara. Haunted Charleston: Scary Sites, Eerie Encounters and Tall Tales. Guilford, CT: Globe Pequot Press, 2013.
  • Roffe, Denise. Ghosts and Legends of Charleston, South Carolina. Atglen, PA: Schiffer, 2010.

Husk
76 Queen Street

Now housing Husk, one of the more exclusive restaurants in the city, this Queen Anne styled house was built in the late 19th century. James Caskey published the account of a couple who saw a small, fleeting black shadow while dining here. Husk has recently opened a location in Savannah in a haunted building.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

82 Queen
82 Queen Street

For 33 years, 82 Queen has been serving some of Charleston’s finest meals in its 11 dining rooms. The restaurant utilizes a building built in 1865 where diners and staff have reported fleeting glimpses of apparitions. James Caskey in his Charleston’s Ghosts interviewed a former server who reported that she “once walked through a shadow which dissipated around me like smoke.” 

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014. 

Pinckney Street

Andrew Pinckney Inn
40 Pinckney Street

Occupying a pair of historic structures at the corner of Pinckney and Church Streets, the Andrew Pinckney Inn has been described as “mind bending” after dark; with a plethora of odd noises and movements. However, the spirits are known to be friendly.

Sources

  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.
  • Poston, Jonathan H. The Buildings of Charleston: A Guide to the City’s Architecture. Columbia, SC: University of South Carolina Press, 1997.

Wentworth Street

1837 Bed & Breakfast
126 Wentworth Street

A specter recalling Charleston’s infamous, slave-holding past is said to haunt the rooms of this bed and breakfast. Legend holds that the spirit, affectionately named George, was enslaved by the family that originally constructed this house. After his parents were sold to a Virginia planter, the young George remained here. In an attempt to reach his parents, George stole a rowboat but drowned in Charleston Harbor.

The story cannot be corroborated, though the spirit’s antics continue. Patrons have reported feeling small feet walking on their beds sometimes accompanied by the sound of a whip cracking. One couple had the doors to their armoire open and close on their own accord throughout the night.

Sources

  • Brown, Alan. Haunted South Carolina. Mechanicsburg, PA: Stackpole Books, 2010.
  • Buxton, Geordie & Ed Macy. Haunted Charleston. Charleston, SC: History Press, 2004.
  • Caskey, James. Charleston’s Ghosts: Hauntings in the Holy City. Savannah, GA: Manta Ray Books, 2014.

Guide to the Haunted Libraries of the South—Kentucky

Several years before I started this blog in 2010, a series of articles by George Eberhart about haunted libraries was published in the Encyclopedia Britannica Blog. This comprehensive list, still up on the now defunct blog, covers perhaps a few hundred libraries throughout the world with a concentration on the United States. After perusing the list and noting the many Southern libraries missing from the list, I’ve decided to create my own list here.

Like theatres, it seems that every good library has its own ghost. George Eberhart argues that there are two reasons for libraries to be haunted: one, that the library inhabits a building that may have been the scene of a tragedy, or two, that the library may be haunted by a former librarian or benefactor who may continue to watch over it.

For other haunted Southern libraries, see my entries on Alabama, District of Columbia, Louisiana, Mississippi, and West Virginia.

The Carnegie
1028 Scott Boulevard
Covington

As one of the wealthiest men of his time, Andrew Carnegie provided grants to cities, towns, and educational institutions throughout the world to construct libraries for the edification of their citizens. The bulk of his grants were provided to Americans and 1,689 libraries were built across the country. Twenty-seven libraries were built in the state of Kentucky and twenty-three are still standing, among them the Beaux-Arts former Kenton County Public Library in Covington.

Covington Kentucky Carnegie Library ghost haunted
The Carnegie, formerly the Covington Carnegie Library, 2010, by Greg Hume. Courtesy of Wikipedia.

Two years after the library’s construction in 1904, an auditorium was added for community events. The auditorium fell in serious disrepair and was boarded up in 1958, but the library continued to thrive. Outgrowing the original structure, the library moved to a larger facility in 1974 and the building was threatened with demolition. Concerned citizens formed the Northern Kentucky Arts Council to utilize the structure as an arts center. The auditorium was fully restored in 2006 and the center was renamed “The Carnegie” to honor the building’s original use.

Over the years, the building has garnered several legends of ghosts and was investigated by the team from Paranormal Investigations of  Kentucky (PINK) in 2010. The team heard stories from several staff members including one who’s pants leg had curiously been tugged on as they climbed a ladder to the attic. Another staff member who had often worked in the theatre late into the night had a number of experiences with items he was using disappearing only to reappear in a different location. The investigators were able to capture several EVPs during the investigation.

Sources

Carnegie Community Arts Center
107 North Main Street
Somerset

Carnegie Community Arts Center Somerset Kentucky haunted ghost
Carnegie Community Arts Center, formerly the Pulaski County Carnegie Library, 2014, by Nyttend. Courtesy of Wikipedia.

This graceful, Neo-Classical structure near the heart of Somerset has served several different functions throughout its history. Constructed originally as a post office in 1912, the building was transformed into the Pulaski County Public Library after the post office’s move to a new facility in 1972. Following construction of a new library facility, the building now serves as an arts center for the community and hosts several spirits and a paranormal museum.

The International Paranormal Museum and Research Center opened in the basement of the arts center in 2017 and houses paranormal memorabilia from around the world as well as several haunted objects. In fact, the old building itself has several ghost stories associated with it including tales involving a little boy who died on the adjacent property and a woman who died while working in the building. One of the museum’s operators has had a few haunting encounters like hearing the sound of a woman clearing her throat in a restroom while he was working in the building alone.

Sources

  • Harris, Chris. “Carnegie Community Arts Center Paranormal Museum can be spine-tingling.” Kentucky Commonwealth. 4 October 2017.
  • Torma, Carolyn and Camille Wells. National Register of Historic Places Pulaski County Multiple Resource Area (North Main Street Historic District Nomination). 14 August 1984.

Carnegie Hall
401 Monmouth Street
Newport

The Newport Public Library was organized in 1898 and set up on the second floor of a nearby bank. The group solicited a grant from Andrew Carnegie for funds to build a permanent home. With the $25,000 grant, the Beaux-Arts style Newport Carnegie Library was constructed in 1902 on Monmouth Street. The library moved to a new location in 2004 and the building was used as storage by the city until a local businessman purchased it in 2007. Under the businessman’s purview, the building was exquisitely restored and opened as an events space.

A 2014 article in the Cincinnati Enquirer mentions the possibility that the building may be haunted. During a wedding, a sensitive guest noted the presence of a woman and child in the building’s basement.

Sources

  • “112-year-old gem nestled in Newport.” Cincinnati Enquirer. 17 June 2014.
  • Our History.” Carnegie Hall at Newport. Accessed 17 April 2019.
  • Warminski, Margo. National Register of Historic Places Nomination form for the Monmouth Street Historic District. 28 March 1996.

Danville-Boyle County Public Library
307 West Broadway Street
Danville

Staff at this library have experienced some anomalous things involving the library’s time clock. See my entry “Clocking in for the afterlife–Kentucky,” for more details.

Filson Historical Society
1310 South Third Street

Louisville

With a collection on the history of Kentucky, this Louisville institution contains a library that has been the scene of some haunting hijinks. See my entry “Haunted Kentucky, Briefly Noted,” for more detail.

Helm-Cravens Library
Western Kentucky University Campus
Bowling Green

On this campus known for its ghostlore (see my coverage of the haunting of Van Meter Hall), there is very little written about the spirit at the Helm-Cravens Library. George Eberhart provides only a single sentence on this haunting: “Bowling Green, Western Kentucky University, Helm Library. A student who fell to his death while trying to open a window on the ninth floor is said to haunt the library.” The Helm Library only has a few floors while the Cravens Library, which is physically connected, is nine stories. So, obviously the incorrect building is listed. There is no further information on this haunting.

Sources

Jeffersontown Branch—Louisville Free Public Library
10635 Watterson Trail

Louisville

Scholar William Lynwood Montell’s monumental works on Kentucky ghostlore, including his Ghosts Along the Cumberland: Deathlore in the Kentucky Foothills and Ghosts Across Kentucky comprise the base for a great deal of the works that have come in recent years. In his Haunted Houses and Family Ghosts of Kentucky, Montell includes stories from three libraries, all of which are included in this guide. This book includes firsthand accounts of supernatural encounters collected as part of interviews with people across the state.

The original building that housed the Jeffersontown Branch Library was built on property that was once occupied by the county poor farm. A former director noted that the atmosphere in that building was often dreary and a woman wearing a frilly pink or white dress was seen peering from the front window. The director often heard disembodied footsteps and once saw an entire shelf of books tumble to the floor without reason. The activity ceased when the library moved to a new building next door.

Sources

  • Montell, William Lynwood. Haunted Houses and Family Ghosts of Kentucky. Lexington, KY: University Press of Kentucky, 2001.

Louisville Free Public Library
301 York Street
Louisville

It is more than appropriate that the architects of the Louisville Free Public Library would employ Louis XVI-style architecture for the building in a city named for the same French king. This building, designed by the firm of Pilcher and Tachau of New York and opened in 1908, is considered the finest example of Louis XVI-style Beaux-Arts architecture in the state. The library, which has been a cultural touchstone in the city and region, continues to occupy this grand building.

Of course, it also seems that one of the librarians has remained on duty here. Some years ago, a library staff member encountered the woman while closing up the library around 9 PM. The staff member told author David Domine, “It was like she was two feet off the ground, and she was just going about her business of putting the books back in place. She had on round spectacles and her hair was up in a bun, and she wore a high-waisted, long skirt and long-sleeved blouse.”

Louisville Kentucky Free Public Library ghost haunted
Louisville Free Public Library, 2007. Courtesy of Wikipedia.

The staff member watched the strange figure going about her duties for about 30 seconds before the figure looked up and vanished before his eyes. He left the building quickly after this strange vision. It turns out that many others have seen the spectral librarian as well, though her identity is lost.

Sources

  • Domine, David. Phantoms of Old Louisville. Kuttawa, KY: McClanahan Publishing, 2006.
  • Hedgepeth, Marty Poynter. National Register of Historic Places Nomination form for the Louisville Free Public Library. 29 June 1979.
  • LFPL: A History of Pride and Resourcefulness.” Louisville Free Public Library. Accessed 17 April 2019.

Shively-Newman Branch—Louisville Free Public Library
3920 Dixie Highway
Shively

According to Montell’s Haunted Houses and Family Ghosts of Kentucky, this branch library has been known to be haunted since 1990. Attached to the Shively City Hall, the building has seen much community activity over the years. Perhaps this energy has contributed to the paranormal activity. In the auditorium, library staff has heard the sound of a man’s voice, apparently in pain, over the speakers. Lights have flickered off and on, while books and other things have disappeared only to turn up elsewhere.

Sources

  • Montell, William Lynwood. Haunted Houses and Family Ghosts of Kentucky. Lexington, KY: University Press of Kentucky, 2001.

Woodford County Library
115 North Main Street
Versailles

Some years ago, a high school student working as a page at the library was helping staff close up for the night. Going upstairs, the young man felt the presence of someone behind him. Turning around, he saw an older man with grey hair and dressed in a grey suit with a maroon tie looking at him. As the page attempted to leave that floor, the figure would glide in front of him. He eventually made his way downstairs where he told the staff that he would no longer go upstairs at night.

The Woodford County Library was constructed in 1906, but was lost to a fire after only a year in the new building. The imposing and grand building that still stands on North Main Street was constructed thereafter. The recollections of a librarian interviewed by William Lynwood Montell provides several ghost stories for this building. Besides the young page, a custodian frequently had experiences with objects moving on their own volition.

Sources

  • Jeffrey, Jonathan. “Keeping the Faith: A History of the Library Services in Versailles, Kentucky.” Kentucky Libraries. 1 December 2003.
  • Montell, William Lynwood. Haunted Houses and Family Ghosts of Kentucky. Lexington, KY: University Press of Kentucky, 2001.

A chain-rattling, Classic spirit—Athens, Georgia

Classic Center
300 North Thomas Street
Athens, Georgia

Classically, ghosts are supposed to rattle chains, and the spirit haunting Athens’ Classic Center continues this classic spectral occupation. Firemen working in this old firehouse regularly heard the rattle of the chains hanging in the basement. Even after the building was taken over by the chamber of commerce, employees would hear the rattle of chains and the chamber’s executive vice president ventured downstairs once to find the chain “swinging back and forth, not just a little motion, but very noticeably.”

haunted Classic Center Athens Georgia firehouse ghost
Firehouse No. 1, now the Classic Center, 2011. Photo by Lewis Powell IV, all rights reserved.

Initial designs for Athens’ new performing arts center called for the demolition of the old Firehouse No. 1 which had been built in 1912, but local residents insisted that the structure be saved. The firehouse was saved and now houses the arts center’s box office, meeting space, and the spirit of an old fire department captain, Hiram Peeler.

Born in 1861, just as the Civil War was commencing, Hiram Peeler distinguished himself in the Athens Fire Department which he joined in 1881. Still serving at the advanced age of 67 in 1928, Peeler responded to a fire at McDorman-Bridges Funeral Home with his company. Whilst searching the building, he stepped through the open doors of the elevator and fell down the shaft. He died of his injuries two days later and was buried in Oconee Hill Cemetery (which may also be haunted). He left behind a widow and nine children.

Identifying spirits is a tricky endeavor, but many who have worked in the building, from firefighters and later to arts center staff, seem convinced that the spirit is Capt. Peeler’s. One of the fire chiefs who worked in the building before the construction of a new fire station reports that his men “heard footsteps and the kitchen door creaking late at night when there was no one there and all the doors were locked.” He continues, “I really thought I heard someone on the stairs one night, and I wasn’t the only person who heard it.” The original hardwood floors of the station remain as well as original pieces of firefighting equipment.

Perhaps those floors and equipment keep Capt. Peeler’s spirit on duty. Members of the center’s staff have seen a firefighter in an old-fashioned uniform within the building. One security guard helping to set up for a function one evening exited the elevator in the old building near a display of the fire chief’s old horse-drawn wagon. As he stepped off the elevator, he glanced towards the wagon and saw and older gentleman in a dark uniform standing next to the wagon. Continuing down the hall, he realized that no one should have been in the building. When he turned, the area was empty.

Tracy Adkins includes a particularly haunting moment from a 2012 investigation of the old firehouse in her book, Ghosts of Athens. While the investigator and her daughter explored a conference room, a Classic Center employee felt her eyes begin to burn and sting. “It was like smoke was being blown into them.” Perhaps Peeler is giving these investigators the sensation that he felt at the time of his death.

For other ghosts in the Athens area, see my article, “Town and Gown–Ghosts of Athens and University of Georgia.”

Sources

  • Adkins, Tracy L. Ghosts of Athens: History and Haunting of Athens, Georgia. Tracy L. Adkins, 2016.
  • Bender, William N. Haunted Atlanta and Beyond. Toccoa, GA: Currahee Books, 2005.
  • Classic Center. History. Accessed 28 February 2013.
  • Miles, Jim. Weird Georgia. NYC: Sterling Publishing, 2006.
  • Sanderlin, Phil. “Staff: Ghost roams C of C.” Athens Observer. 16 June 1984.
  • “Veteran fireman to be buried today.” Atlanta Constitution. 26 February 1928.

Calling creepiness on the carpet—Dalton, Georgia

Leaning, leaning,
Safe and secure from all alarms.

–“Leaning on the everlasting arms” gospel hymn by Anthony Showalter and Elisha Hoffman, written in Dalton in 1887.

While we were visiting Old City Hall (114 North Pentz Street) in downtown Dalton, Georgia, two of the young girls in our group let out some horror movie-worthy screams and went running. As they ran past him, Richard Ruland remarked, “There’s no, ‘dude, run!’ in ghosthunting!” Half-laughing, half-screaming, the girls said that one of their K2 meters had gone all the way to red causing their fright.

Dalton’s Old City Hall. Photo 2018, by Lewis Powell IV, all rights reserved.

In his fatherly way, Ruland calmly took the girls back to the doorway where the meter had glowed red. He noted that there was likely an alarm on the door and showed them the alarm pad next to it. The meter, once again, glowed red when he held it next to the pad and the whole thing was debunked.

__________

I have been reading about the Dalton Ghost Tour for many years. When Connie Hall-Scott published her book, Haunted Dalton, Georgia, in 2013, I immediately purchased it from Amazon. While I liked the ghost tour on Facebook, I did not have the chance to check it out for myself, so when I saw a promotion for the first tour of the season with special guest Richard Ruland, I jumped at the chance.

I was well rewarded.

Dalton is billed as the carpet capital of the world and rightfully so, this region of North Georgia produces 80 percent of the tufted carpet manufactured in this country. Driving through this section of I-75, the interstate is lined with carpet factories and outlets with billboards hawking all types of flooring.

Downtown Dalton, removed from the bustle of the interstate, is a very typical Southern downtown with a marvelous collection of historic structures. Locals have recently beautified the sidewalks and renovated many buildings to bring people and businesses back to the historic core. While people are returning, the streets were very quiet on this Saturday evening.

Perfect Cup Coffeehouse, Dalton, Georgia. The tour began on the wooden deck next to this building.

The tour began on a wooden deck next to the Perfect Cup Coffeeshop (112 West Crawford) in West Crawford Street and has a great view of the magnificent Art Moderne-styled Wink Theatre across the street. In the half-light of evening, a small group gathered to hear Mr. Ruland describe his experiences investigating the paranormal throughout his home-state of Tennessee and the South.

The wide-ranging talk covered everything from the dangers of Ouija board use to spiritual cleansing techniques. Ruland, a psychic medium, is a noted paranormal personality who has appeared on My Ghost Story and Aftershocks, and hosts (with J.B. Coates, one of his fellow investigators) Let’s Talk About It, a wide-ranging paranormal show on Facebook. With his wife (and the best investigator he has worked with) Billy Jo, Ruland demonstrated his abilities by pointing out the presence of several spirits in the immediate vicinity including a man who was not happy with our sitting on the deck. As there were a number of children present, Ruland demonstrated some of his equipment and urged them to use various pieces during the tour.

Out of this talk, the tour began with Connie Hall-Scott describing the history of Dalton. During the course of the tour, the historic gravity of the few blocks that we covered was evident. On this land that had once been home to the Cherokee, there had been murder and mayhem over the course of two centuries; with many events leaving psychic scars on the land and buildings.

Wink Theater, 2018. Photo by Lewis Powell IV, all rights reserved.

Among this dark history, the Wink Theater’s (121 West Crawford Street) presence adds a sense of levity. The theater began as a dream for J. C. H. Wink, a dream to provide locals with a place of amusement away from the horrors of the war elsewhere. The theatre opened its doors in September of 1941, months before the Japanese attack on Pearl Harbor brought the horrors of war to this country.

For many, the Wink was a center of social life in town. Hall-Scott recalls in her book the many unnecessary trips to the restroom she made and how she often felt that something was “off” in that room. Little did she know where that thought would lead her.

The Wink Theater closed its doors in 1981 after a showing of Disney’s The Black Hole, certainly foreshadowing for the dark period of the theater’s history that would follow. While the living had forsaken the decaying building, spirits remained. When the suggestion of replacing the building with an ignominious parking lot was floated, many locals stepped in to save the building from destruction, including Hall-Scott’s father, who purchased the building and began restoration.

Since the building’s reopening, it continues to be a center of the community in a spiritual sense as the centerpiece of the Dalton Ghost Tour’s ghost stories and in its function as a church.

Sitting on the deck across from the theater, it struck me the amazing amalgam of history that had occurred in the few blocks that the tour covered. Not only that, but how much of that history is still with us in spectral form. From the angry man Ruland pointed out as standing near us to the suicide victim in the old Hotel Dalton, from the Wink Theater’s doors that regularly unlock themselves, the lynching victims near the Gordon Street Bridge, to the spirits of the old Dalton depot, these spirits span the region’s history.

Hall-Scott seemed to have a story for nearly every building we passed. Standing on the corner of North Hamilton and West King Streets, she pointed out that she had stories from nearly every business lining this busy portion of North Hamilton, evidence of her wide-ranging knowledge of the city’s haunted history.

All along the way, the youngsters on the tour excitedly chattered about the equipment they held. Ruland happily watched over them and shared in their possible connections with the spirit world. Several times he remarked that these kids were doing things they will remember for a long while. I can personally say that spending time with these kindred spirits in Dalton, both living and dead, will be something I remember for a long while.

Dalton Ghost Tours are held on Friday and Saturday nights through September and October. Friday night tours begin at 8 PM and Saturday night tours will have a special guest and begin at 7 PM. All tours begin at the wooden deck on West Crawford Street across from the Wink Theater. Tickets may be purchased onsite, $15 for adults and $10 for kids.

Sources

  • Deaton, Thomas M. “Dalton.” New Georgia Encyclopedia. 25 September 2009.
  • Hall-Scott, Connie. “Dalton Ghost Tour.” Dalton, Georgia. 1 September 2018.
  • Hall-Scott, Connie. Haunted Dalton, Georgia. Charleston, SC: History Press, 2013.

Apollo Apparitions–West Virginia

Apollo Theatre
128 East Martin Street
Martinsburg, West Virginia

On August 21, 1927, a brief item from the Associated Press appeared in papers nationwide describing the death of architect Reginald Geare. In a room in his Washington, D.C. home, Geare’s body had been found with a gas tube next to it.

Five years previous, the roof of the Knickerbocker Theatre in Washington collapsed under the weight of snow while an audience was inside watching a movie. With a death toll of 98, authorities questioned the integrity of Geare’s design of the building. Though he avoided prosecution for the disaster, the shame continued the crush the architect. That shame would also lead to the death in 1937 of the theatre impresario, Harry Crandall, who owned the Knickerbocker. It is believed that his spirit may roam the Tivoli Theatre in Washington, another of the theaters in his chain.

The Atlanta Constitution, 21 August 1927, Page 28.

Martinsburg’s Apollo Theatre was an early design success for Reginald Geare, in company with local architect Chapman E. Kent. It was the first theatre in the state built primarily for showing films, though the stage was large enough to accommodate live performances. After opening in 1913, the theatre underwent an expansion to provide for better live performance facilities. Throughout its history, the Apollo, named for the Greek god of music, has provided entertainment for citizens throughout the West Virginia panhandle.

Apollo Theatre Martinsburg West Virginia
Apollo Theatre, 2009, by Acroterion. Courtesy of Wikipedia.

Stories of the Apollo’s haunted reputation have circulated for decades with some of the oldest stories dating to the mid-1970s. There are no records of deaths within the theatre, though the building may have been used as a hospital during the 1918 influenza epidemic. Apparently, there are several spirits here, two of which are known as Charlie and George. In 2008, a theatre board member told The Journal about his run-in with George in the early 80s. “During the curtain call I saw an old man in the back of the theatre, in a plaid shirt with a cigar. No one but me saw him and suddenly he was gone.” During the filming of Gods and Generals, a female reenactor using the restrooms at the Apollo let out a scream after encountering the same figure in the ladies’ room.

Charlie, one of the theatre’s other spirits, may also smoke cigars. A resident of a nearby apartment building may have seen Charlie once standing outside the theatre. The figure wore a fedora pulled down over his eyes and stood hunched over with the collar of his coat pulled up around him. The apartment resident was astonished when the figure suddenly vanished before her eyes.

Sources

  • Pauley, Michael J. and Rodney S. Collins. National Register of Historic Places Nomination form for the Apollo Theater. 12 September 1979.
  • Racer, Theresa. “The Apollo Theatre.” Theresa’s Haunted History of the Tri-State. 16 January 2011.
  • Strader, Tricia Lynn. “Halloween haunting is close at hand.” The Journal (Martinsburg, WV). 31 October 2008.
  • Swayne, Matthew. Ghosts of Country Music: Tales of Haunted Honky Tonks & Legendary Specters. Woodbury, MN: Llewellyn Publications, 2017.
  • “Theater architect ends life with gas.” Atlanta Constitution. 21 August 1927.

Haunted Florida, Briefly Noted

“Attention, blog readers! Cleanup on the Florida aisle!” Since the move from Blogger, I’ve been sitting on several articles that needed a bit of cleanup before being reposted. This article combines the remains of my original “Haunted Florida” article along with some theatre entries that were written for a book on haunted Southern theatres, that was never completed.

Athens Theatre—Sands Theatre Center
124 North Florida Avenue
DeLand

Henry Addison DeLand dreamed of creating the “Athens of the South” when he began developing land around a small Florida settlement called Persimmon Hollow. He opened a small academy, DeLand Academy, but after a freeze in 1885 destroyed the orange crop, DeLand returned north short his investment. Wealthy Philadelphia hat maker, John B. Stetson, took over the academy and reopened it as John B. Stetson University, later just Stetson University.

DeLand grew over the next few decades, becoming a center of learning and culture on the east coast of Florida. The Athens Theatre was opened in 1922 with the hope of continuing that cultural influence. The magnificent Beaux Arts style theatre opened as a vaudeville and movie house. In 2009, the building was renovated, restored and reopened as the Sands Theatre Center, a performing arts center for the community.

Athens Theatre, 2007, by Ebyabe. Courtesy of Wikipedia.

Within the walls of the theatre two spirits linger. The shade of a stagehand who fell to his death still resides here, but it is the lively spirit of a young actress who is most often felt. Legend speaks of a young actress starring in a show who began a torrid affair with the theatre’s manager. The manager’s wife appeared one day to find the two in flagrante delicto and, after a shouting match, the wife bludgeoned the pretty, young actress to death with a lamp. Actors using the actress’ old dressing room sometimes incur her contempt which is sometimes expressed through objects being thrown or the room’s temperature drastically lowered.

Sources

  • DeLand, Florida. Wikipedia, the Free Encyclopedia. Accessed 18 March 2013.
  • Martin, C. Lee. Florida Ghosts and Pirates. Atglen, PA: Schiffer, 2008.

Coral Castle
28655 South Dixie Highway
Homestead

Coral sculptures at Coral Castle, 2005, by Christina Rutz. Courtesy of Wikipedia.

Edward Leedskalnin, an eccentric and possibly brilliant Latvian immigrant, began work on his masterpiece in nearby Florida City in 1923. In 1936 he moved himself and the castle to Homestead where he worked until he died in 1951. There have been questions about how Leedskalnin, who was five feet tall and weighed less than a hundred pounds, maneuvered the massive blocks of coral that sometimes weighed a few tons. When visitors would ask how he did it, he would only answer, “It’s not difficult if you know how.” This has given rise to numerous theories of how this massive complex was constructed including the help of aliens, though engineers surmise that much of his work was done using known techniques.

It is only appropriate that this legendary place has legends attached. More sensitive visitors have noted the existence of energy vortices throughout the complex. Throughout the site, Mr. Leedskalnin’s presence is felt. Other visitors have seen figures appear among the castle’s huge coral blocks.

Sources

  • Coral Castle. Wikipedia, the Free Encyclopedia. Accessed 26 March 2012.
  • Lapham, Dave. Ghosthunting Florida. Cincinnati, OH: Clerisy Press, 2010.
  • Moore, Joyce Elson. Haunt Hunter’s Guide to Florida. Sarasota, FL: Pineapple Press, 2008.
  • Temkin, Maria & Michael Zimny. National Register of Historic Places Nomination Form for the Coral Castle. 2 April 1984.
  • Thuma, Cynthia and Catherine Lower. Haunted Florida. Mechanicsburg, PA: Stackpole Books,
  • Walls, Kathleen. Finding Florida’s Phantoms. Global Authors Publications, 2004.

Deering Estate
16701 Southwest 72nd Avenue
Miami

It seems that the former estate of Charles Deering, the founder of International Harvester, may be just crawling with spirits. And a variety of spirits at that. One investigation photographed the possible spirit of a Victorian woman while spirits of Native Americans may be associated with burial grounds nearby. The Deering Estate also features ghost tours of the estate that the League of Paranormal Investigators (LPI) dubbed, “ground-zero for lost spirits.” LPI has documented at least two full-bodied apparitions as well as numerous EVPs.

Richmond Cottage on the Deering Estate, 2010, by Zoohouse. Courtesy of Wikipedia.

The estate has been preserved by the State of Florida and Miami-Dade County as a cultural and educational facility. Two buildings dating from 1896 and 1922 remain and are surrounded by swaths of land in its natural state. Battered by Hurricane Andrew in 1992, restoration of the estate took years and the grounds did not reopen to the public until 1999.

Sources

  • Charles Deering. Wikipedia, the Free Encyclopedia. Accessed 27 December 2010.
  • Charles Deering Estate. Wikipedia, the Free Encyclopedia. Accessed 26 March 2012.
  • Cohen, Howard. “Halloween howling.” The Miami Herald. 27 October 2011.
  • Malone, Kenny. “Miami’s Deering Estate: A real haunted house?” 28 October 2009.
  • “Miami-Dade Estate deemed ‘severely haunted.’” The Miami Herald. 22 October 2009.

Henegar Center for the Arts
625 East New Haven Avenue
Melbourne

Henegar Center, 2010, by Leonard J. DeFrancisci. Courtesy of Wikipedia.

A fine example of adaptive reuse, the Henegar Center is located within an old school building. Having opened in 1920, the Melbourne school was named after a former principal, Ruth Henegar in 1963. The building was closed as a school in 1975 and reopened as the Henegar Center for the Arts in 1991. In addition to opening with a 493-seat theatre, the building also came with a resident ghost, Jonathan. According to Kathleen Walls, Jonathan’s antics include the usual noises attributed to spirits as well as moving actors’ props. The theatre’s balcony seems to be his favorite area of the theatre and he has been spotted there on occasion.

Sources

  • Henegar Center for the Arts. “Our Rich History.” Accessed 25 March 2013.
  • Walls, Kathleen. Finding Florida’s Phantoms. Global Authors Publications, 2004.

Hotel Blanche
212 North Marion Street
Lake City

For decades, travelers heading down Highway 441 from Georgia to Florida would stop at the luxurious Hotel Blanche in Lake City, among them, gangster Al Capone on his way to Miami. This landmark, the heart of downtown Lake City, has been witness to the city’s history for more than a hundred years. Recently, one of the building’s owners described part of the building as a “death trap.”As the hotel’s clientele dwindled towards the middle part of the 20th century, the hotel began to deteriorate. The ground floors have remained occupied with businesses and the second floor has occasionally been used for office space and meetings, but the third floor has not been in use for some time. In fact, the door to the third floor has been screwed shut; perhaps to contain some force from the Other Side?

Over the past few years, arguments have arisen over what to do with the massive white elephant. The city has considered purchasing the building, though I can find nothing to definitively say if that has occurred. Taking up nearly a block of downtown Lake City, directly across from City Hall, the Hotel Blanche was once the heart of Lake City. The hotel was constructed in 1902 by Will Brown and named for his daughter. The hotel added two wings amidst the tourist boom of the 1920s. The hotel closed in 1967 and its third floor has not been used since that time.

Hotel Blanche, 1908, from a postcard. Courtesy of the State Archives of Florida.

The paranormal history of the hotel is less clear. Greg Jenkins reports in his Florida’s Ghostly Legends and Haunted Folklore that the hotel may very well have a “large collection of spirits,” though this hasn’t been officially investigated. Apparently many sounds are heard including children running and giggling. The sounds of door slamming have also been heard as well as many odd smells including perfume, vinegar, and sulfur (which may be an indication of a malevolent entity). The spirits, though, do seem as unsettled as the recent plans for the building.

Sources

  • Burkhardt, Karl. “Renovation of the Blanche Hotel, Lake City’s most famous historic structure, may restore it as a downtown centerpiece.” Lake City Journal. 18 July 2011.
  • Hotel Blanche. Wikipedia, the Free Encyclopedia. Accessed 27 December 2010.
  • Jenkins, Greg. Florida’s Ghostly Legends and Haunted Folklore, Vol. 2. Sarasota, FL: Pineapple Press, 2005.
  • Lilker, Stew. “Conversation with Steve Smith, Blanche investment trust spokesman.” Columbia County Observer. 21 October 2009.
  • Lilker, Stew. “The Blanche Hotel: The seventh inning stretch.” Columbia County Observer. 3 March 2010.
  • Lilker, Stew. “The Blanche: The city steps up, Councilman Hill wants to slow down.” Columbia County Observer. 21 October 2009.

Miami International Airport
2100 Northwest 42nd Avenue
Miami

It’s not unheard of that an airport could be haunted. An airport may be the last place that a plane may board before an accident or perhaps a destination that is not reached. Either way, an airport may attract spirits. Miami International was the destination for Eastern Airlines Flight 401 on December 29, 1972. As the plane flew over the Everglades on its approach to the airport, it crashed killing 77 including both pilots. While the plane never arrived, legend speaks of the form of the plane’s captain, Robert Loft, being seen in the airport near where the ticket counters for Eastern Airlines once stood and disappearing into the old Eastern concourse.

Miami International Airport, 2007, by Jason Walsh. Courtesy of Wikipedia.

In the annals of paranormal phenomena, this plane crash is the focus of many stories. Stories abound of the appearance of the captain and 2nd Officer Don Repo on planes that utilized parts recovered from the crash site. After these stories began to surface, Eastern Airlines reportedly removed all these parts from service. Additionally, during the recovery efforts for victims, many working in the swamps late at night heard whimpering and sobbing and saw phantom faces in the black water.

Sources

  • Eastern Airlines Flight 401. Wikipedia, the Free Encyclopedia. Accessed 27 December 2010
  • Jenkins, Greg. Florida’s Ghostly Legends and Haunted Folklore, Vol. 2. Sarasota, FL: Pineapple Press, 2005.

Richey Suncoast Theatre
6237 Grand Boulevard
New Port Richey

The patron attended a performance at the theatre. He sat in his favorite seat, BB1 in the balcony, for the performance and a few hours after leaving was dead of a heart attack. Not only was Willard Clark not just a patron, he was the president of the theatre. Following his death in 1981, he has apparently returned to the theatre he loved so and is not happy when his favorite seat is occupied. Patrons unfamiliar with the story have experienced a distinct chill while watching performances from Clark’s favorite seat. Others have spotted a gentleman in a tuxedo in that seat. For awhile, the seat was simply reserved for the ghost and patrons were told it was broken.

The history of this theatre reflects much of the bumpy history of Florida in the early 20th century. Land booms, busts and the Great Depression fill the history of the state and the theatre felt shockwaves from all of these.

Richey Suncoast Theatre, 2010, by Karm Atwin. Courtesy of Wikipedia.

Thomas Meighan made a name for himself in silent films. After his 1919 film, The Miracle Man, he officially had become a “star” and he appeared opposite great leading ladies like Gloria Swanson, Mary Pickford (known popularly as “America’s Sweetheart”) and Norma Talmadge and under the direction of such greats as Cecil B. DeMille. Talking with his brother, James, a realtor, Meighan became very interested in Florida and bought land there in 1925. Inspired by dreams of making the New Port Richey area a celebrity winter playground, he built a home there and encouraged his friends to visit. When a new theatre opened in town in 1926, it was named, appropriately, the Thomas Meighan Theatre.

The grand opening of the theatre on July 1, 1926 was heralded with a showing of Meighan’s film, The New Klondike. The theatre experienced ups and downs in its business and improvements were made to allow for the latest in film technology: “talkies.” But with the hardships imposed on the area during the Great Depression, the theatre closed its doors. The theatre reopened under a new name in 1938 and continued operating under a variety of names until 1968 when competition from a local multiplex led to the theatre’s closure. It was purchased in 1972 for use as a community theatre. The Richey Suncoast Theatre has continued to operate as a successful community theatre ever since. And Willard Clark continues to watch fabulous performances from his favorite balcony seat.

Sources

  • Cannon, Jeff. “Ghostly Encounters in Pasco County.” com. 25 October 2012.
  • Fredericksen, Barbara L. “Attention ghost: Exit stage left, through wall.” Tampa Bay Times. 31 October 2006.
  • The Meighan/Richey Suncoast Theatre.” The History of Pascoe County. Accessed 3 April 2013.
  • Spencer, Camille C. “Is New Port Richey a truly ghostly town? Or is it a myth?” Tampa Bay Times. 30 October 2009.
  • Thomas Meighan. Wikipedia, the Free Encyclopedia. Accessed 3 April 2013.

Venice Theatre
140 Tampa Avenue, West
Venice

Venice Little Theatre has grown so much they dropped the “Little” from their name in 2008. Founded in 1950 and first performing in an airport hangar at the Venice Airport, Venice Theatre has expanded into one of the premier community theatre companies in the nation. After the city needed the airport hangar for storage in 1972, the company purchased its current building: a 1926 structure with a tower resembling the St. Mark’s Campanile in Venice, Italy, the town’s namesake.

Where actors now play, cadets from the Kentucky Military Institute—which summered in Venice—once sweated and occasionally the spirit of a small girl still roams. She has been seen curiously watching groups of juvenile actors and bouncing a ball in the corridors that once served as the military institute’s gymnasium. Who she is or what she’s doing in this particular building remains a mystery.

Sources

  • Cool, Kim. Haunted Theatres of Southwest Florida. Venice, FL: Historic Venice Press, 2009.
  • History. Venice Theatre. Accessed 31 March 2013.